The DFL associated to the third part of the “Cork Workshop: New Uses” promoted by the FA-ULisbon. Being dedicated to the exploration of new production technologies, the DFL hosted the visit of a group of students that traveled from Lisbon to know about the use of robotic fabrication technologies (Digital Fabrication Lab, 18/07/2016).
It will run in a three year cycle, organized by themes, according to the type of materials/prototypes that are going to be tested or developed during each workshop: Workshop One/Year One July 2014_Natural Cork - Tradition; Workshop Two/Year Two July 2015_Composite Materials - Industry; Workshop Three/Year Three July 2016–New Materials - Future Technologies.
Workshops will be held annually (in July) proposing different challenges every year. In the future, it will be a platform for the internationalization of the use of cork as a building envelop material.
Retirado de https://dfl.arq.up.pt/portfolio/robotic-assembly-cork/.
Cork International Workshop
The creation of an international workshop focused on the use of cork material in architecture.It will run in a three year cycle, organized by themes, according to the type of materials/prototypes that are going to be tested or developed during each workshop: Workshop One/Year One July 2014_Natural Cork - Tradition; Workshop Two/Year Two July 2015_Composite Materials - Industry; Workshop Three/Year Three July 2016–New Materials - Future Technologies.
Workshops will be held annually (in July) proposing different challenges every year. In the future, it will be a platform for the internationalization of the use of cork as a building envelop material.
Retirado de https://dfl.arq.up.pt/portfolio/robotic-assembly-cork/.
Retirado de Cork International Workshop.
Ambos os links verificados em 14/08/2018.
William Cantú teaches at the Department of Arts, Creativity and Culture at the Polytechnic University of Leiria and at IADE. His research is situated within the fields of cultural studies, trend studies, and visual culture, with a particular interest in critically examining how culture functions as a landscape for meaning-making, negotiation, and identity construction. His work explores the intersections between socio-cultural formations, creative practices, and aesthetic discourse, focusing on the cultural analysis of how meanings are produced, shared, and contested within emerging cultural representations.
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